At the Saatchi Gallery Champagne Life exhibition:

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Moje Sabz, by Soheila Sokhanvari:

Describing herself as a “cultural collage between East and Western philosophy” the work of Iranian-born artist Sohelia Sokhanvari shuttles between political commentary and symbolic totem. Her taxidermied sculptures appeal to the literary genre of magic realism, in which ‘reality’ is punctured with fantastical events, revealing meanings more profound that naturalism could hope to do. Sokhanvari points to the use of the form as a method by which artists have been able to “create an open-ended narrative to promote or resist a totalitarian political system”.

Visual metaphors abound in her work that deals implicitly with the Iranian state. The title Moje Sabz speaks to the ‘Green Movement’ uprising of 2009, in which violent protesters’ demonstrations lead to the annulment of a fraudulent election result.

I missed that reference to the Green Movement uprising of 2009 – silly me – but it's fun anyway.

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Studying Stephanie Quayle's Two Cows.

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And, Mequitta Ahuja's Stick Stack.

Always worth a visit, the Saatchi Gallery. 

 

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2 responses to “Political commentary and symbolic totems”

  1. Gene Avatar
    Gene

    Wait, did the “Green Movement’ uprising of 2009” lead to “the annulment of a fraudulent election result”? I thought it just led to a whole lot of people thrown into jail and tortured. Am I forgetting something?

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  2. Mick H Avatar
    Mick H

    I think you’ve summed it up pretty well there.
    Maybe that’s why the stuffed donkey is looking so miserable.

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