Photographer Jamie McGregor Smith has been visiting brutalist and modernist churches across Europe for his book Sacred Modernity: The Holy Embrace of Modernist Architecture.

From Dezeen:

The churches in Sacred Modernity have sculptural concrete forms that break away from the mould of conventional churches, which typically have a floor plan in the shape of a cross.

McGregor Smith claimed this was part of a trend after the second world war, which sought new styles separated from traditional architecture of the past.

"While traditional churches evoke a sense of familiarity and reverence through their classic designs, brutalist and modernist churches challenge these norms with their bold, austere and provocative aesthetic," he said.

"These architectural styles emerged in the post-war period as a rejection of the past's orthodoxy and a pursuit of a new social order free from associations with opulence, authority and war."

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L'église Saint-Nicolas in Switzerland

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Chiesa di Santa Maria Immacolata in Italy

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The Wotruba Church in Vienna, Austria

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St Matthew's Church, Birmingham, UK

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Tempio Mariano di Monte Grisa in Italy

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St Reinold Kirche in Düsseldorf, Germany

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Santuario della Beata Vergine della Consolazione in San Marino, Italy

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St Mauritius Kirche in Munich, Germany

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St Paulus Kirche in Neuss-Weckhoven, Germany

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St Matthäus Kirche in Düsseldorf, Germany

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Chiesa di San Nicolao della Flue in Milan, Italy

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Chiesa di Santa Maria della Visitazione in Rome, Italy

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L'église Saint-Nicolas in Heremence, Switzerland

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Cathedral Church of Saints Peter and Paul in Bristol, UK

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Heilig-Kreuz-Kirche in Vienna, Austria

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Kościół świętego Dominika in Warsaw, Poland
[All images © Jamie McGregor Smith]

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2 responses to “Sacred Modernity”

  1. Martin Adamson Avatar
    Martin Adamson

    As Jonathan Meades pointed out in one of his doccos, lots of architects had plans left over from defensive structures commissioned by Albert Speer, so they just stuck big crosses on the front.

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  2. Mick H Avatar
    Mick H

    Ha! Well, Meades has an essay in the Sacred Modernity book. Big brutalist fan, Meades.

    Like

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