More "grim up north" photos, this time from photographer Nick Hedges:
Family walking round the corner, Sheffield 1969
Delivering newspapers, Bradford 1969
Salford back to back and terraced housing, 1971
Washing hanging out to dry across back to back housing street, Leeds 1970
Street scene by gas works, Bradford 1969
Street of terraced housing Newcastle upon Tyne, 1969
Child crossing waste ground, Salford 1969
Pushing a pram up an unadopted road, Bradford 1970
Elderly lady standing at her street corner, back to back housing, Leeds 1970
Trophy for the street game, Bradford 1969
Pensioner crossing derelict land towards her home, Salford 1971
Hedges was commissioned by the housing charity Shelter, soon after its founding in 1966, to document the state of Britain's slums, and the wretched living conditions so many people had to endure - so these are grim by intention. Nor is it all up north – quite a few of the photos are in London. The pictures of the now-demolished Rothschild Dwellings in Whitechapel are worth seeing. But these northern shots have a certain thematic unity.
Most of the photos are of the slum dwellers rather than the streets, and now, to mark Shelter's 50th anniversary, they're seeing if they can trace any of the subjects.
Bill Brandt, previously, with an earlier generation of "grim up north" classics from the Thirties.
It's surprising to think, now, that these old slums still existed as recently as the late Sixties and early Seventies. That no doubt was Shelter's point – to highlight the poverty and squalor left behind by Harold Wilson's "white heat of the technological revolution". This campaign, with its powerful images, will have played its part in hastening the destruction of these old slums, and their replacement with the tower blocks and council estates that came in their wake. These, in turn, came to symbolise the squalor of big city working class areas with their graffiti-covered courtyards, stairwells that stank of piss, and drug-related violence.
Meanwhile the old streets, with their fabled community spirit and all the rest, acquired in retrospect a nostalgic sheen – witness these photographs, and the way we view them now.
Ah well – that's the way it goes.

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