I was going to offer some kind of defence of Alan Johnson’sHideously White‘ list of guitarists, but I see it’s all been settled amicably. Still, it got me thinking.

I’m old enough to remember that whole ‘Can Blue Men Sing the Whites’ business, when blacks (American blacks) were supposed to have a special connection to The Blues, presumably from some race memory of picking all that cotton. Looking back you can see that it’s more like, only blacks had (for a while) the moral authority to play the blues. I still have a bit of that: I never rated Clapton all that highly, and cling to the belief that there were loads of black guitarists who could have blown any of those white boys away. Buddy Guy, Albert Collins, Johnny ‘Guitar’ Watson, Albert King…. The best live guitar I ever saw was BB King back in the Seventies. No fancy fret work – just sheer almost unbearable emotion.

So….rock music (a white music) took up the electric guitar from the blues giants: Muddy Waters, John Lee Hooker and the rest, via Clapton and Keith Richards (and Hendrix of course), and it became a defining feature of the music, reaching some kind of ghastly apotheosis in heavy metal’s screaming volume-turned-to-11 solos. But black music went off in a different direction. Soul, funk, rap. Loads of guitars, but no guitar heroes. They were just part of the band, or, more likely, session musicians, part of the rhythm section. With, say, James Brown, the horns featured more than the guitars. I can name Maceo Parker on sax, but can’t think of the name of any guitarists in his bands. Even the bass player ( Bootsy for instance, the funkiest man on the planet) or the drummer, featured more than the guitarists.

So really, it seems to me, if you wanted to come up with a list of electric guitar moments as a way of sticking two fingers up to some clerical buffoon, then you might well, if you’re looking at recent music, come up with just such a ‘hideously white’ list as Alan’s. But for me, I’d go back to the blues masters. That was as good as the electric guitar ever got.

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4 responses to “Blue Guitarists”

  1. PooterGeek Avatar

    Just glancing at my music collection for recent (post 70s) black guitarists, I’d suggest Nile Rodgers (possibly one of the most influential musicians and producers of all time), Prince (ditto), Robert Cray, Vernon Reid (Living Color), and Slash (Guns’n’Roses). No blind geriatrics sitting on boxes of melons there.
    [I’d like to make it clear that I do not own any recordings by G’n’R, but that Slash does guest on Michael Jackson’s Dangerous and also, I suspect, a Don Henley album that I own.]

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  2. Mick H Avatar
    Mick H

    Hmm – I’m not saying there weren’t any recent black guitarists, but your inclusion of Robert Cray (I could have added him to my list of great blues players except for his age) and Vernon Reid (yes I’ve heard of Living Color, but weren’t they famous for being a black rock group, like the Average White Band in reverse?) suggests some barrel scraping here.
    Nile Rodgers yes: went to see Chic when they were big – ’78/’79? – but they’d got the sound balance all wrong so you could hardly hear the bass, which pretty much scuppered the whole deal. But he was better known surely as a producer.

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  3. RJT Avatar

    this topic of white guys not being able to play blues is silly, as a musician i find the conversation silly, though I would love to be proved wrong by modern pop

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  4. idcook Avatar
    idcook

    “It’s all just music man. Playing clean and lookin’ for the pretty notes.”
    – Charlie Parker

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